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There are two parts to the role
Part 1: Producing
– To bring 1927’s work to larger national and international audiences through live presentation, film, television, and creative learning/engagement programmes.
– Oversee and evolve the organisational structure, ensuring the company has the appropriate staffing and leadership models to deliver its long-term vision.
– Develop partnerships with theatre, arts, opera and other organisations with whom the Company might expand its artistic and social impact ambitions, nationally and internationally.
– Develop excellent relationships with co-producers, partners, agents, managers, and artists.
– Lead and develop positive relations with key stakeholders, including funders such as Arts Council England, significant trusts and foundations and other donors.
Part 2: Operations
– Operating within a mixed financial model (combining public funding, earned income and contributed income), the Executive Producer maintains comprehensive oversight of all operational and charitable functions.
– Financial Management: Working closely with the Finance Manager to set realistic budgets aligned with company ambitions, ensuring accounts are well-managed
– Strategic Oversight: Directly lead areas including fundraising, risk management, marketing, communications, and HR-all operating strictly within a charitable framework.
– Governance & Compliance: With the board of trustees, ensure the company’s charitable objectives are met, maintain its status as a going concern, and ensure full compliance with internal policies
– Contracts: Manage all contracting, deal-making, and bbusiness agreements. This includes negotiating and drafting co-production agreements, Heads of Terms, and standard contracts.
– Freelance Management: Ensure the contracting of freelance artistic staff is consistent, taking ongoing responsibility for reviewing and updating contract templates.
– Minimum of 5 yrs experience in a senior leadership role within a theatre, opera, performing arts or media production company.
– Demonstrable experience setting, managing, and balancing organisational or project budgets.
– Extensive experience drafting, negotiating, and executing co-production agreements, Heads of Terms, and artistic/freelance employment contracts.
– Practical experience with international theatre touring networks, scheduling, logistics, and foreign co-productions.
– A solid understanding of compliance, policy management, and reporting to a Board of Trustees within a registered charity framework.
– Exceptional interpersonal and communication skills to work closely with high-level artistic teams, external funders, and international partners.
– Experience navigating mixed financial models, including writing successful fundraising & public subsidy applications or securing private income.
– Familiarity dealing with multi-disciplinary productions
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